Peyzaj (fransiya rausage, az rays— mamlakat, mahal), tasviri manzarai tabiat dar adabiyoti badei. Peyzaj dar asari badei maqomi baland doshta, vobasta ba niyati ejodii navisanda vazifahoi gunoguni uslubi, goyavi va estetikiro ba jo meorad. Peyzaj baroi ravshantar dark kardani mohiyati badeii asar fikru andesha, holati ruhi va khislathoi qakhramon yori merasonad. Navisanda ba vositai Peyozaj manzaraho, voqeaho va raftoru kirdori odamonro barjasta va purtasir tasvir menamoyad.
Masalan, jarayoni ob dar povesti «Odina»-i Ayni sustu beharakat, dar romani «Dokhunda»-i u tezu shiddatdor tasvir shudaast, ki in ba holati qahramonon muvofiq buda, ruhiyai onhoro ifoda mekunad. Manzarai zeboi bahori kuhiston («Odina») ba holati ruhii Odina sozgor omada, farogati uro dar ogushi tabiat nishon medihad. Vale tasviri havoi sardu barfomezi tiramoh (dar okhiri povest) manzarai huznangezi vafoti Odinaro boz ham huznangeztar namoyon mekunad. Goho, baraks, manzarai zeboi tabiat dar muqobili voqei mudhish yo fikru hissiyoti gamangeze omada, ba dilho sabuki meorad.
Peyzaj ahamiyati estetiki dorad. Vay ba asari badei, latofat, samimiyat, joziba va tasiri khos mebakhshad. Dar asarhoi klassikoni adabiyoti fors-tojik (dostonho, tashbibi qasidaho va gayra) tabiat bo ranghoi gunogun tasvir shudaast va khonanda az on zavqi estetiki va lazzati badei megarad.
Ad.: H o d i z o d a R., Sh u k u r o v M.,
A b d u j a b b o r o v T., Farhangi istilohoti adabiyotshinosi. D., 1968; B o b o e v Yu., Muqaddimai adabiyotshinosi, D , 1974,